I was one of those kids who wanted to understand everything. Early on, I worked at a research laboratory and majored in biology. When studies in religion and philosophy offered an even deeper level of inquiry, I turned to archeology, anthropology, psychology, and linguistic analysis. Over the years, I was a counselor for people at the end of life, taught college philosophy, and a cultural approach to religion. I have traveled throughout western Kenya, Guyana, New Zealand, Alaska, and Labrador. I also listened for the stories of the people. Additionally, I have sailed for more than forty years. I write about what I know, and about what still puzzles me.
Anyone interested in knowing how mythology has shaped and captured the human quest for meaning would do well to read Joseph Campbell. The Power of Myth is particularly good as a summary oversight by a creative teacher and storyteller. It is a series of questions posed by journalist Bill Moyers. It manages to capture Campbell’s wit and insight as he makes a serious subject accessible to the curious reader. He sees in both ancient stories and modern theater, how words woven into stories, also open up the inner landscape of the human self.
As a university instructor in philosophy and religion, I attempted to follow Campbell’s example and help students escape the confines of literalism to understand the special use of language that is a myth. Couched in the guise of fiction, myths are always true, or, as Campbell says, “Mythology pitches the mind beyond that rim, to what can be known but not told.” (p163)
NATIONAL BESTSELLER • An extraordinary book that reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war.
The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people—including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from…
C.S. Lewis is widely known for his children’s book series, The Chronicles of Narnia. His list of publications is, however, much longer. This little volume of essays gives a reader (or a writer) insight into how the form of a story shapes its meaning. For instance, he writes about stories for children and how some authors mistakenly think that children are only interested in childish things. He compares that to people who have the gift of being able to access the child that is still in them and speak with them in a shared experience.
Of science fiction, he shares the difference between an author who is a creator of worlds, and one who rearranges alien props to make a pedestrian story appear clever. The key is a story that makes contact with the reader.
The theme of this collection is the excellence of the Story, especially the kind of story dear to Lewis-fantasy and science fiction, which he fostered in an age dominated by realistic fiction. On Stories is a companion volume to Lewis’s collected shorter fiction, The Dark Tower and Other Stories. Edited and with a Preface by Walter Hooper.
Warning! This is not a book for the unimaginative. Welcome to the world of rabbits. I was willing to go down the rabbit hole on this one, and I discovered much more than the habits of the long-eared nibblers. Watership Down is really a cross-cultural adventure. It required me to look at the world through the alien eyes of a rabbit and experience a variety of communities. After a while, however, it becomes clear following a clan of rabbits through a wilderness to a new land, a reader begins to see the truths that Adams has to share.
Hazel, Fiver, Bigwig, and the others encounter communities centered on arts, military discipline, and narrowly shared world views. The values of the travelers are shared through stories told in moments of crisis and demonstrated their ability to find unlikely allies. The sharing of ideas, the recognition of the abilities of the weak, and a trust beyond the moment emerge as values that sustain communities, Lapine, or human.
One of the best-loved children's classics of all time, this is the complete, original story of Watership Down.
Something terrible is about to happen to the warren - Fiver feels sure of it. And Fiver's sixth sense is never wrong, according to his brother Hazel. They had to leave immediately, and they had to persuade the other rabbits to join them.
And so begins a long and perilous journey of a small band of rabbits in search of a safe home. Fiver's vision finally leads them to Watership Down, but here they face their most difficult challenge of all .…
Rule #1: Writers should write what they know. Many science fiction readers know Isaac Asimov as a prolific genre author. First and foremost, however, he is a scientist, a biochemist by training. In this book, Isaac and Janet Asimov share essays on diverse scientific subjects from life on earth to discoveries in space. For me, I searched the book for everything from the fate of the dinosaurs to the height of sea-level rise in case of a major melt-down of Antarctica and Greenland.
In this book, imagination runs a parallel reality. It is a place where a writer or a reader will see a jumping-off place from the real world to dystopia.
A treasury of 121 tales from the authors of Frontiers contains remarkable stories about humankind, the secrets of planet Earth, the vast expanse of outer space, and the mysteries of the universe. 15,000 first printing. $15,000 ad/promo.
Hang-gliding is a literal leap of faith. You jump from terra firma and hope that the wind rises beneath your airfoil. Running from Safety is the author’s leap of faith, and, by extension, the readers. “Have you ever met anybody…like the people in your books?” This is the cryptic question that begins this life exploration.
As a writer myself, I know that every character in my books is me. Bach knows this, too. But do we really learn from the collection of stuff we hold inside, stuff that is our history? The book begins when Bach is confronted by Dickie, his child-self. The boy asks for one thing: He wants his adult self to sign off on the meaning of life contained in his eight-year-old vision of maturity. Bach is appalled at his simple naiveté. What should you tell your younger self?
A half-mile up, suspended by nylon wings and the promise of good lift, life hanges on a pledge. Richard Bach made that pledge, fifty years before, to return to the frightened child he used to be and teach him everything he had learned from living. His promise went unfulfilled until one day, hovering between earth and sky, Richard encounters Dickie Bach, age nine--irrepressible challenger of every notion Richard embraces....
In this exhilarating adventure, Richard and Dickie probe the timeless questions both need answered if either is to be whole: Why does growing spiritually mean never growing up? Can we peacefully…
What happens when the world is drastically altered? We can’t ask the dinosaurs who faced climate change when an asteroid struck near the Yucatan Peninsula. In our day, we face elevated sea levels with global warming. These are two different phenomena, but the survival may be the same. Like all animals, humans must revert to the basics of food, shelter, and sanctuary from despair.
Shrader Marks: Keelhouse follows sailing families who make the trek from the twenty-first century into the ice age. As a climate disaster drives the world to the brink of helplessness, this group takes an over-water journey that is also an inward voyage. Author Rob Smith draws on his knowledge of sailing, science, human psychology, and anthropology to weave a dystopian tale. His story shatters the idea that catastrophic climate change can be addressed by simple adjustments.
My favorite fantasy novels tend to be rather complex. Winding plotlines, mysteriously interconnected characters, whimsical settings, and intricate, thoughtful worldbuilding combine to create immersive stories that stick in the mind like overworn folklore. Time travel or interworld travel lend additional layers of intrigue and mystery, forcing the inescapable contemplation of a more thrilling, alternate reality. And if it’s all packaged in artful, breathtaking prose that breeds full-color images, audible noises, indelible flavors, nose-crumpling odors, and tangible textures, I will happily lose myself in the pages, truly forgetting about the strictures of everyday life… at least until I get hungry and remember I need to consume more than books to survive.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to Ride, but her destiny will pit her against her uncle and king, who have scorned her since before her birth.
In the Exchange, the waystation between realms, Emmelyn fights the G’Ambit, a gambling ring with members more intent on lining their pockets than protecting the realms—or their own lives.
Realm-devouring parasites threaten all existence. The Exchange is desperate to destroy them. But could their radical plans endanger the realms, too?
Soul-sucking parasites are overwhelming the realms.
Rhoswen of Stanburh is of age to train as a Realm Rider—a defender of the realms. Riders and their dragons work together to burn away infiltrating Narxon as they swarm in through tears in a realm’s fabric. But it’s not an easy battle: the mere touch of the smoky, dragon-like adversaries can reduce the lively winged beasts—and their Riders—to ash.
Becoming a Realm Rider is Rhoswen’s dream, but she carries far more responsibility…
